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‘Go Away Party’ tonight for Hippodrome’s Scott Baker
There’s an informal going-away party of sorts for outgoing Waco Hippodrome executive director Scott Baker and his wife Beki at 8 tonight, July 2, at Austin’s on the Avenue, 719 Austin Ave. Baker calls it a ‘Go Away Scott’ party, but it does offer a chance to wish the Bakers well on the next chapter of their lives in Nashville.
Though this last season was one he’d like to forget, Baker and his board performed a remarkable comeback for the historic Waco theater on the verge of shuttering four summers ago. Within a few years, the Hippodrome was selling out performances and offering an enviable season of touring Broadway productions, standup comedy and more.
Baker also introduced online ticketing for the theater, restored season ticket sales to the highs of the past and tapped a fresh audience of twenty- and thirtysomethings willing to turn out for stage performances.
Unfortunately, a double whammy of the recession and multiple cancellations of ‘Tuna Does Vegas’ put the Hippodrome deeper into the red this season, at a time when a financially robust season could have seen the theater pay off its indebtedness for the first time in more than two decades.
A strong 2009-10 and a favorable legal settlement of the ‘Tuna’ issue conceivably could return the Hippodrome to the black, or close to it, in a year or so. But admittedly that hinges on lawyers and an economic recovery to take place quickly.
Still, the Hippodrome seems in a better place than it was when Baker took over and those who’d like to thank him and Beki for that have a chance tonight.
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Got Friday off? Wanna be in a movie?
The folks at Red C Entertainment, who’ve spent much of this sweltering June-July outside making a movie, need some adult extras (18 and older) for two scenes scheduled for shooting tomorrow, July 3.
If you’re interested and available, contact Red C here, click on “Cowboy & Lucky: The Movie” under Casting and they’ll provide the details.
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Unplugged when Michael died
I was unplugged in the Valley when Michael Jackson died: no Internet, no TV, no cell phone, no NPR, no newspaper.
I was an adult sponsor of a church youth group mission trip last week to San Juan, TX, a bedroom community of McAllen. We worked with a small church, Iglesia Menonita Buenas Nueves - helping build a fence, removing tile from a workroom floor, clearing trash, helping a Spanish-speaking family with home repair, etc.
A week unplugged and, yes, life went on.
We found out about Jackson’s death through a youth minister’s iPhone and its Web connection, followed by CNN headlines that night on a restaurant’s TV sets. Reaction in our group was mixed: Some were saddened by the news, appreciating Jackson for his singing and musical gifts; others thought him a pervert, a freak or a figure whose fame rested with an earlier generation, not theirs.
Count me among the saddened. The Jackson Five were a musical strand in my school days and the songs from his Thriller era were landmarks in music videos, revitalizing pop dancing that had stagnated in the dying days of disco. Despite sporadic tries over the last 30 years, I still can’t moonwalk.
I saw Michael and his brothers perform in Dallas during their Victory tour in the late ’80s, even if the audience mania was more entertaining than the concert. Almost all I knew of him came through TV and radio, two media that he learned how to use well.
At the same time, I was saddened how his personal life became such a train wreck and wonder if the millions of us who bought his albums and attended his concerts contributed to the success that crushed his happiness rather than enabled it.
Being unplugged in the days after his death, I missed the incessant media coverage and tributes - and the reinforcing loop that deepens our emotional response to celebrity deaths and world events. Because Jackson’s gift was music, an art that touches us emotionally, the replay of the songs that served as background to our school days, our first relationships and our friendships rubbed those feelings into our thoughts of his death. Jackson, like Elvis and Lady Diana, will be magnified by his death.
I wonder, too, if Jackson will be the last music superstar we mourn in such a way. Will the deaths of Paul McCartney, Mick Jagger or Bob Dylan trigger similar popular grieving? With the music industry’s star-making machinery stumbling in today’s digital music era, will we see any future entertainer with his global reach? Would Jackson have become internationally known if he had had to build his fan base through MySpace, YouTube and Facebook, the way many contemporary bands are doing?
Just some thoughts after his death - a consequence, perhaps, of being unplugged.
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Free (sort of) Father’s Day sneak of 3D ‘Ice Age’
The Starplex Galaxy 16 is one of about 330 theaters nationwide that will offer a free sneak preview of the animated 3D feature Ice Age: Dawn of the Dinosaurs this Sunday, June 21. The film opens nationally on July 1.
There’s no charge for the sneak, but a slight catch: It’s available only to those who buy tickets to the 12:25 p.m. Sunday showing of Up in 3D. Buy a ticket for that - it’s $7 a person - then stay after the movie for the free screening of Ice Age. It’s not so much a free movie as two for the price of one.
It’s also a test of fatherhood: sitting through back-to-back family films …
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Updated Hippodrome summer Family Film Series lineup
The Waco Hippodrome Theatre’s Family Film Series, recently revised after the theater had to negotiate licensing contracts with some individual studios, will offer movies at 10 a.m. and 7:30 p.m. Fridays through Aug. 28. Admission is $5 for adults, $3 for children. Here’s the updated, non-Disney schedule:
Tonight - Kung Fu Panda
June 26 - The Muppet Movie
July 3 - An American Tail
July 10 - A Little Princess
July 17 - Chicken Run
July 24 - The Prince of Egypt
July 31 - The Neverending Story
Aug. 7 - Babe
Aug. 14 - The Secret of NIMH
Aug. 21 - Willy Wonka
Aug. 28 - The Princess Bride
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The Nuge as cover boy
It’s a hot summer for rocker, talker and liberal mocker Ted Nugent. After appearing as a presenter at last night’s nationally televised Country Music Television awards, he’s on the cover of the July Texas Monthly.
I’ll wait until my copy comes in the mail to read the story, but in reading Texas Monthly for more than 30 years, I don’t remember any other article bearing this warning: “If you are offended by obscene language, proceed with caution.”
It’s fairly clear why Texas Monthly wants to put Ted up front and out there: He’s good at stirring up readers (insert appropriate comment about the Tribune-Herald here). In his email promoting the upcoming issue, editor Jake Silverstein tips his hand by mentioning a special feedback form that he hopes readers will use:
“Therefore, I have created a template so that readers who are worked up about our decision to put the Nuge on the cover with a submachine gun can more easily express their feelings (the template also accommodates the pro-Ted readers who wish to celebrate our choice). All you have to do is cut out the passage below, fill in the blanks, and drop the whole thing in the nearest mailbox. We will happily publish the results in an upcoming issue.”
Admittedly, it’s funny, a Mad Libs-type form letter-to-the-editor that I’m sure our editorial guys wished we had had when we added Ted to our commentary lineup.
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Tickets on sale today for ‘High School Musical: Summer Celebration’
My 7.5-year-old mentioned this yesterday with no preliminary peep from her parents so whatever marketing/advertising the national tour of ‘Disney’s High School Musical: Summer Celebration!’ at the Heart O’ Texas Coliseum must be working …
Tickets for the Aug. 27 performance went on sale this morning at the coliseum box office and are also available online here and here. They cost $15, $25 and $35.
What’s up with “Summer Celebration,” you say? You thought there were only three HSMs? Well, this is a stage amalgam of the three produced by Feld Entertainment, which handles the Ringling Bros. and Barnum & Bailey Circus and “Disney On Ice” productions. It has all the familiar characters and some of the best-known songs, all in one handy performance.
It’s hard to repress the inner snark here (Hmm. Should have registered my Facebook page with that … ), but for all “HSM: Summer Celebration’s” cookie-cutter plotlines and apple fruit-chew wholesomeness, there are far worse TV-stage adaptations lurking out there: “Jon & Kate Plus Eight: The Musical,” anyone?
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Poodie Locke tribute tickets on sale
Poodie’s Picnic, the tribute concert in memory of Waco native Poodie Locke, Willie Nelson’s longtime stage manager, will take place June 28 at Tim’s Porch at The Backyard in Austin, 13101 State Highway 71 West, Bee Cave. Locke died unexpectedly May 6 at his home.
The concert runs from 2 p.m. to 11 p.m. and the lineup’s a star-studded one: Joe Ely, Gary P. Nunn, Ray Wylie Hubbard, Cross Canadian Ragweed, Billy Joe Shaver, Reckless Kelly, Cory Morrow, James Hand, The Boxmasters with Billy Bob Thornton, Carolyn Wonderland, Paula Nelson, Bobby Boyd and more.
Tickets cost $20, available online. Proceeds will go to the Poodie Locke Memorial Fund.
Expect Billy Bob Thornton and The Boxmasters to play their song about Poodie, written by Thornton: “He’s Just Makin’ His Rounds.”
There’s also a Poodie’s No Bad Days Benefit on Aug. 9 at his club, Poodie’s Hilltop Bar & Grille in Spicewood. Proceeds benefit the SIMS Foundation, which provides low-cost mental health and addiction recovery services for Austin musicians, and his girlfriend Shaye Groves.
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Catching up on the Cliburn, Waco actor and playwright
Seems like there’s not much to show for it, but Access Waco and this morning’s story on the Hippodrome and its ‘Tuna’-induced fiscal crisis sucked up time I had intended on blogging earlier this week. Life. It happens.
So: There were two gold medalists at this year’s Van Cliburn International Piano Competition in Fort Worth, Japan’s Nobuyuki Tsujii, the contest’s first blind winner, and China’s Haochen Zhang. (Their performances are archived in streaming video here for members of the Van Cliburn Foundation.) Given that Cliburn medalists secure a tour organized by the Cliburn Foundation, and the Waco Symphony Orchestra is a tour participant, we could be seeing one or both - or maybe other medalists Yeol Eum Son of South Korea, Di Wu of China, Evgeni Bozhanov of Bulgaria or Mariangela Vacatello of Italy - on the Waco Hall stage in future seasons.
Those who remember Waco native Jennifer Tusa - now Jennifer Tusa-Noth - from her days on local stages can see the actress in Austin, Dallas and San Antonio this summer and fall. She’s in the national tour of the musical ‘Mamma Mia!,’ performing in the ensemble as well as understudying the roles of Tanya and Donna. That tour plays Bass Hall in Austin this month, the Dallas Summer Musicals in Fair Park in August and San Antonio’s Majestic Theatre in September.
I also failed to follow up on an April post in which I mentioned Waco Children’s Theatre / McLennan Theatre alum Josh Hill, who’s making a name for himself in playwriting in New York City. Here are the details and they’re pretty impressive: He’s finishing (if not already finished) a MFA in Playwriting at Columbia University, where he was named a Dean’s Fellow in Playwriting, and was mentored by Edward Albee, one of the great American playwrights.
Waco-raised talent, guys.
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Nugent goes country
Well, in a non-serious, promotional-sort-of way.
The always-rocking Ted Nugent will join Kid Rock as presenters at the June 16 Country Music Television Awards in Nashville. Other non-country presenters include ‘The O’Reilly Factor’s’ Bill O’Reilly, ‘American Idol’s’ Randy Jackson and actor Luke Wilson. Comic Bill Engvall will host the awards program.
The country evening features a performance by rock vets Def Leppard in addition to numbers by Rascal Flatts, Taylor Swift, Keith Urban, Dierks Bentley, Toby Keith, Darius Rucker, Lady Antebellum and others.
The country music channel will air Nugent’s new reality series ‘Runnin’ Wild … From Ted Nugent’ starting in August. The rock guitarist also appeared with country singers Toby Keith and Willie Nelson in the 2008 movie Beer For My Horses.
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Austin film director on UT coach, directing and next movie
Austin film director Richard Linklater attended last night’s screening of Inning By Inning: Portrait of a Coach, his documentary on University of Texas baseball coach Augie Garrido at the Texas Sports Hall of Fame and the audience would have barely filled a dugout: only 16 people (ouch - Waco film fans and UT baseball supporters, where were you?)
His film, broadcast last year on ESPN and available this week on DVD, was a treat, a profile of Garrido that centered on his philosophy and approach to life as much as baseball (though his life pretty much is college baseball).
Among Garrido’s mantras:
Baseball is a game of failure so you must accept it and learn from it (He himself notes that only one percent of his athletes made a career in professional baseball and that although his teams have won a remarkable five national championships, that’s in the context of 32 College World Series appearances).
Don’t focus on winning. Focus on the six outs of each inning, each pitch made to a batter, each pitch from the pitcher.
Hard work and focus are essential for success. No substitutes.
It’s a solid documentary, as much motivational as sports-related, and one that should be required viewing for educators and leaders, not just coaches.
In his post-screening remarks, Linklater revealed it wasn’t just baseball (he’s a former college player) that drew his attention to Garrido, but a shared philosophy toward work.
For Linklater and Garrido, it’s more about the process than the end result - the director confessed it’s film-making, not screening, marketing or selling the final product, that he most enjoys. By focusing on the process, the end result takes care of itself, or at least as much as one can expect, given the heart-breaking vagueries of baseball and film making.
There’s passion involved, too, sometimes communicated in incendiary explosions of anger over problems (one memorable scene in Inning By Inning comes to mind) that the director said were sometimes necessary to make a team or film crew aware of the importance of the job at hand.
Linklater, the epitome of Austin casual in his dress and easy manner behind a lectern, explained he spends weeks with his cast in rehearsals (his process) to bring them to the edge of a great performance or scene, with room in the actual shooting to allow those performances to peak.
While theatrically trained actors often enjoy and flourish in that - he pointed to British actor Christian McKay of Linklater’s upcoming Me and Orson Welles as an example - those from comic backgrounds such as Jack Black (School of Rock) needed more persuasion to go along, he said.
In other film tidbits:
- He’s not ready yet to sign on with any School of Rock sequel.
- He considers Me and Orson Welles, which arrives in theaters this October, one of his best films.
- His remake of 1976’s The Bad News Bears may have helped the Longhorns win the 2005 national championship. (When Garrido said tightness may have kept a superior Texas team from the national title in 2004, Linklater sent Garrido the next year a clip of his recently finished Bad News Bears that showed how not to play a championship. Garrido then screened it to his UT players during the College World Series, the players laughed and Texas went on to win. Coincidence? Linklater left the question hanging.)
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‘American Idolers:’ Dallas auditions this month
For the Kris Allen wannabes among you, it looks like ‘American Idol’ is scheduling auditions in Dallas later this month.
Here’s the site where info will be posted. Registration is scheduled for June 24-25 with actual auditions on Friday, June 26.
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Local rockers and the people’s (Internet) voice
Temple rock band Slickfist has won an Independent Music Awards’ People’s Choice (Vox Populi) honor for Best Rock/Metal Album. Voting began last fall and continued after judges’ choices were made in January.
Slickfist beat finalists from Washington, Florida and Australia with its album Subharmonic Addiction, available on CDBaby, iTunes, Napster and other online sites. The band is organizing a fall tour and working with producer David Prater on a new CD.
In a different competition, Waco studio engineer and rock guitarist David Zychek has a song, “New Blood,” in an online talent contest. If you want to vote for him and/or the song, go to www.thenetstar.com. He’s currently No. 2, running second to Cathy Griffin of Centennial, CO. Deadline is June 30. The site’s country competition, by the way, takes place in July.
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Correction: That’s Friday night on Brazos Nights activities
A paragraph in my Brazos Nights story in this morning’s Access Waco mentions children’s activities, food and drink concessions and carriage rides as happening tonight. They’re happening tomorrow night, in conjunction with the Brazos Nights concerts. Sorry for the mistake and any confusion it might have caused.
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Averitt and the arts
If anyone should make an argument for the arts on grounds of the jobs they create, she/he likely would find sympathy from state senator Kip Averitt, R-Waco, after the last month of the recently concluded legislative session.
He now knows there are a lot of people employed in film and theater in the Lone Star State and they can get nasty when riled.
Averitt was on the receiving end of angry emails and calls from Texans in the film industry when a film producer said (ninth item down) political pressure from an unnamed state senator led the Texas Film Commission to withdraw financial incentives for his $30 million film Waco, about the 1993 Branch Davidian crisis. Averitt wasn’t to blame, but several of those angry at the loss of the film project and its jobs connected his geography to the producer’s comments nonetheless.
Last week, it was the turn of those working in theater to sound off when it was discovered that Averitt had added language to a bill concerning engineering licensing (House Bill 2649) that had the unexpected consequence of requiring lighting designers be licensed to practice in the state.
If Averitt was unaware that the professionals who handle the artistic lighting found in theaters are called lighting designers, he sure knows it now.
Theater professionals’ Web sites and Facebook pages buzzed to protest the added language, which, conceivably, could have put Texas stage lighting designers out of work in months. The Governor’s office got into the act, as did the Waco Hippodrome Theatre, which contacted Averitt’s office about the overly broad language in the amendment. All of this came in the chaotic final days of the legislative session.
Eventually, that language - reportedly inserted to address a constituent’s problem with a botched designing job - was stripped in conference committee. At last report, lighting designers, onstage and off, still could practice their jobs in Texas.
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Kaiser-Jones concert: differing virtuosity, shared passion
Monday night’s concert with organist Joyce Jones and pianist/composer Kurt Kaiser felt like an evening with familiar friends - familiar friends with remarkable talent, that is.
The easy, somewhat self-deprecating banter between Jones and Kaiser and the affection both internationally-known Waco virtuosi show to their audiences made for an evening of high musicality and high enjoyment for the approximately 700 to 800 people filling Jones Concert Hall.
Monday’s concert, the first in this week’s Pipe Organ Encounter at Baylor University, was a small gem of programming that showed off both performers’ considerable strengths. Jones, Baylor’s organist-in-residence, demonstrated remarkable facility on weaving together the multiple lines of a Bach toccata, then tonal painting with the extensive palette of the Rodgers organ, ranging from tinkling bells, chimes and flutes to growls and grumbles of the organ’s bass register on her “Improvisation on ‘Aka tonbo’ ” and Leo Sowerby’s “Pageant.”
Kaiser’s two solo sections were medleys that showcased his phenomenal improvisation talent. The first blended variations on perhaps his best-known song, “Pass It On,” with his “Bring Back the Springtime” seguing into Gershwin’s “Summertime,” then a finale of “O How He Loves You And Me,” on which he had the audience sing along.
His second medley took three suggestions from the audience - “We Are God’s People,” “Bringing in the Sheaves” and “The King Is Coming - and stitched them together, complete with classical overtones (“We Are God’s People” being based on a Brahms theme) and jazz chords. It was a magical piece, seemingly effortless under Kaiser’s fingers.
There were programming nods to Handel, in commemoration to the 250th anniversary of his death, and Mendelssohn, born 200 years ago. Jones often filled the space between selection with interesting tidbits about the piece or its composer; three of her concerts and you’re halfway to fulfilling class requirements in organ and music history.
Both musicians made concessions to age, requiring glasses to read the scores above their keyboards, but the sheer brain power they employed to keep track of multiple organ lines or how to craft a modulation between melodies showed still youthful minds.
Monday’s joint concert was the first for Kaiser and Jones in more than a decade and had a whiff of the valedictory about it, given the vagueries of their age and health. Jones chose to be optimistic, noting that she hoped it wouldn’t be another 10 years before they play together again.
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No “Harrython” for Hippodrome; Disney delayed
MORE
- link: See the updated schedule
The recent change in how the Waco Hippodrome Theatre secures the rights to show digital movies - now through certain individual movie studios rather than a central clearinghouse - has forced a few changes in the theater’s summer movie programming.
Most notably: the cancellation of a Harry Potter film marathon in the days before the July 15 release of HP Film No. 6, Harry Potter and the Half Blood Prince. Warner Bros. holds the rights to the Harry Potter films and will not release them for theatrical screenings until August, explained former Waco Performing Arts Company executive director Scott Baker.
Of course, the idea behind the marathon was to feed off fan interest in Half Blood Prince, so Hippodrome film programmers will have to consider whether it’s worth the effort to schedule a post-release marathon.
The Waco theater has negotiated rights with Warner Bros., Universal and Criterion, which distributes Fox’s films, and former agreements with Paramount, Dreamworks and MGM are still in place, said Baker.
Discussions with Disney, however, are still underway, so the theater will replace the Disney films in this summer’s Family Film Series with ones from Dreamworks. Good-bye Finding Nemo, Lion King and Mary Poppins; hello, Kung Fu Panda, Chicken Run and The Prince of Egypt.
The Friday night Family Film Series begins June 12 with E.T.: The Extra-Terrestrial. Tickets cost $5 and are on sale now at the Hippodrome box office.
The downtown Waco theater will screen three Alfred Hitchcock films this summer as well, for the Third Thursday entertainment emphasis by downtown Waco merchants. That series starts June 18 with Rear Window, followed by To Catch a Thief on July 16 and Vertigo Aug. 20.
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Cliburn today, Waco Hall tomorrow
The quadriennial Van Cliburn International Piano Competition is underway just north of us at Fort Worth’s Bass Concert Hall and the field has narrowed to a dozen pianists. From today through Sunday, contestants will play hour-long recitals and one piano quintet with the Takacs Quartet. The six who make it past that point then play a 50-minute recital and two concerti with the Fort Worth Symphony Orchestra, with the medalists announced on June 7.
Those who’ve followed the Waco Symphony Orchestra over the years know that a goodly number of Van Cliburn medalists wind up performing as guest artists with the orchestra, thanks to a contractual agreement with the Van Cliburn Foundation. I haven’t been able to free up any time to attend, but I did sit in on a first-round session four years ago and heard four marvelous pianists - none of whom progressed to the next round.
If you’d like to see and hear for yourself, here’s a link to the live Web cast and another for ticket information.
The competition has a blog with several reviewers while Olin Chism has been following the action on KERA’s Art & Seek blog and is worth the reading for those who want a hint at what Waco might be hearing in a few years.
Sometimes I wish their programming with the WSO was as adventurous as what they bring to the Van Cliburn, but there’s a world of difference between a concentrated international competition and the long slog of a cross-country tour in terms of preparation.
Here’s to the winners - may we soon hear them for ourselves.
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Austin director Richard Linklater to show film in Waco June 4
And how cool is this? Austin director Richard Linklater (Dazed and Confused, The School of Rock, Fast Food Nation) will screen his documentary on University of Texas baseball coach Augie Garrido at the Texas Sports Hall of Fame next week.
The screening of Inning By Inning: A Portrait of a Coach is scheduled for 6:30 p.m. June 4. It’s free and the public is invited, but reservations are required.
Jay Black, curator at the Sports Hall of Fame, says that Linklater will sign autographs and answer questions after the film. Black’s the one to call for reservations; you can contact him at (254) 756-1633.
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Waco gets touring ‘High School Musical’ in August
Attention, “High School Musical” fans: Waco’s getting more HSM goodness this summer.
The Heart O’ Texas Coliseum will host a stage performance of “High School Musical,” a touring production created by Feld Entertainment, at 7 p.m. Aug. 27. Tickets go on sale at the coliseum box office on June 15 and cost $21 to $36.
Feld Entertainment produces the Ringling Bros. and Barnum & Bailey Circus as well as the various “Disney On Ice” shows that tour internationally. HOT Fair and Rodeo President Wes Allison says that Feld’s “HSM” is a fusion of all three Disney releases (honestly, I’m not sure that much would be lost in the compression) and a stage musical.
The Waco performance is only one of three in the state, joining others in Corpus Christi and McAllen.
The tour continues a HSM summer in Waco. The Waco Children’s Theatre’s summer campers will stage selections from the HSMs as their stage production next month, while the older actors will produce “High School Musical 2” as its musical in July.
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‘Risen’ arrives - zombies get Hippodrome screening
For those of you zombie-lovers (and those of you who were zombies during the film’s shoot), the Waco-made horror film Risen will make its local theatrical debut at 7 p.m. June 27 at the Waco Hippodrome Theatre. Tickets cost $7, available at the Hippodrome box office starting on Tuesday, May 26.
The local screening comes the day after the movie begins a commercial theatrical run at 13 theaters in the South and Midwest.
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Thank you, Scott, for being a pleasure to work with! I’m sorry to see you go.
Christine Carver General Manager 88.9fm KSUR/89.9fm KBDE Waco, TX
... read the full comment by Christine Carver | Comment on 'Go Away Party' tonight for Hippodrome's Scott Baker Read 'Go Away Party' tonight for Hippodrome's Scott Baker
Любопытно, а есть хоть кто-то, кто не согласен с автором? :)
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I tend to think MJ was not guilty of the molestation charges. After hearing about his beyond screwed up childhood leading directly into being a child star, he never had a childhood and thus never really grew up in a normal sense. From a very young age he
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Yeah, you’re right, Paul. We should tear down a 95-year old historic landmark that brings Broadway shows, famous comedians, and professional music to Waco because you can’t enjoy yourself. We should tear down the only non-profit organization
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